In mid 2013 the opportunity to photograph in The Miller Theater presented itself. A friend/mentor of mine had access and wanted to know if I would want to take a look. Not really knowing anything about the building or it's history, I said sure and we met a few days later downtown. For that meeting, I brought nothing but myself, no camera. Long story short, at the end of that tour I got a key, had access to The Miller anytime I felt like it, and knew I would not enter the dressing rooms downstairs alone for fear of "her." Whether she still haunts it after the remodel...
Below you will find the beginnings of that year "internship" in The Miller Theater. The first portion starts my journey in exploring the building itself and it is interesting as I go through the photos how my focus shifted through my visits. The first set will run at 25 per post, and I will due my best to talk about some of the things I see with each set.
The second portion concerns the people I have shot at The Miller. It is not, or should I say was not, the most hospitable place to shoot. No heat, no air, old and falling apart, dirty, grimy, and well, still pretty fucking awesome. The first "official" shoot we did was with the incomparable Mary. To this day, she spoiled me when it came to shooting because Mary shows up and when you need her she just, "goes." Where she goes I don't know, but she was just effortless to work with and a dream to shoot.
the miller
Words that come to mind: I still see a smiling seven | Texture, texture, texture | Working only with available light, each time I came I just wanted to see what the building gave up naturally | That one ceiling part always reminds me of a muscle and tendon sheath | Superhero telephone action | It will become apparent how much I love this stairwell | Ahhhh, the secret yellow room
lens: 20mm2.8 | 50mm1.4
date: 5.21.13 | 5.28.13
the portraits: mary
In exploring the building and looking at it first from a natural light perspective, I soon discovered what areas gave me the light I was looking for at the time. It is interesting looking back to see where I started to experiment and explore different looks as I got more intimate with the space. I also tried early on to create a unique look for each session utilizing different areas or using them in different parts of the day which created drastic changes in the look. This was an afternoon shoot with Mary, as this particular side of The Miller and the stairwell was getting plastered with light. Got a little Yellow Room action in, and then finished the day on the roof. I remember flying home to edit these and quickly seeing what worked (some) and what didn't (a lot), and learning from that (a little) and applying it to the next session. Below are the best of what I captured that day.
lens: 20mm2.8 | 50mm1.4
date: 7.5.13
Welcome to Volume 7, our continued exploration of the wonderful Miller Theater and my time running rampant thru it. As for the building itself this volume, we spend a lot of time on the roof exploring it’s expanse and the environment beyond. In the portrait section, we have the lovely Jessica F. taking us to some new areas of the theater, including our first foray into the under stage dressing room area. Thanks for stopping by and check out the photos below!
Welcome back, it’s been awhile since I checked in with this little run down memory lane, thank you Mr. Compressed Vertebral Disc. But, as we have decided to mend our relationship and travel down recovery road, don’t mind us as we take a detour down the aforementioned lane. As for the theater itself, a little inside, a little outside, some close details and some wide expanses. On the portrait front, we inject a little pin-up flavor with the lovely Jessica. Onward we go…
This week we open with a little roof exploration, edifice details, and a little stage time. And bees, lots of bees. And we close out with a portrait session with the lovely Lindsay, who got to show off another side from the last we shot her. This time we added the men's room as a location. That's right, I know where to take the ladies for a photoshoot.
This week in The Miller brings us a bit of color and texture shot from the roof, focusing on the surrounding environment of buildings and skyline of downtown Augusta and it's unique mix of brick, sculpture, peeling paint, and rust. We follow that up with a little tour back inside featuring some of the unique fixtures and textures of The Miller, also the ubiquitous front stairwell and finishing with some sunset shots from the roof. This volume's portrait session is a Senior Session featuring Emily introducing the back alley and the room under the secret yellow room room and getting her own time on the roof while joining the "just like a tree stand" club when presented with the many ladders on the roof.
Welcome to Volume 3 of my Miller time. In this episode we continue on from the previous volume and continue to explore the projector room, the ever-present front stairwell, add in a new addition in the under the secret yellow room room, and finally start the love affair with roof shots of the city skyline with the always evocative Lamar Building. We finish with a gorgeous set of photos from our session with Kristen, who pushed us to match the beauty and grace she brought to the table that day. We hope you enjoy!
pb | rb
Welcome to volume 2 of my year at The Miller and thank you for showing up. I introduce a few new rooms (hello projector and uh, lady's bathroom ante-room...) and their treasures as well as establishing some returns from earlier. Here's looking at you , front door, phones and stairwell. The projector room was awesome and I would have loved to shoot there more, but shortly after my photo shoot with Ashley as you will see below, the lock was changed and I was unable gain access to the room. Oh, and for the record, it was not because I did anything, but there were quite a few copies made of the key from other people, so I think the powers that be wanted to limit access where possible.
In mid 2013 the opportunity to photograph in The Miller Theater presented itself. A friend/mentor of mine had access and wanted to know if I would want to take a look. Not really knowing anything about the building or it's history, I said sure and we met a few days later downtown. For that meeting, I brought nothing but myself, no camera. Long story short, at the end of that tour I got a key, had access to The Miller anytime I felt like it, and knew I would not enter the dressing rooms downstairs alone for fear of "her." Whether she still haunts it after the remodel...